bash: "Brilliantly done."

bash just got its first review and, well, it's pretty sweet. Tickets on sale here. Facebook stuff here.

Sometimes when I hear the reason why someone committed a terrible crime I feel much less compelled by the story. It's the crimes that seemingly have no reason that really stir my sense of morality. It's a lot harder to judge someone when you don't know why they did something and you are forced to look at them as an average person...someone who could be your friend or someone just like you. And that is a truly disturbing thought when you know what they did. Neil LaBute is a master of stirring moral issues in a cauldron of everyday life and his comparatively raw 1999 play bash certainly stirs things up. I had never seen this play performed so I feel very fortunate to have my first performance of it be so brilliantly done.

bash is three short stories told in monologue. Each has at its center an immoral crime that the speaker is confessing for one reason or another. The kicker here is that the crimes are all based on actual crimes committed by real people. The first, Medea Redux, is about a young woman who seems to be confessing to the police. She tells her whole story from the very beginning all the way up to the spine-chilling moments just after her crime. The next story, Iphigenia in Orem, is about a family man who is talking to a stranger about his crime because he just has to get it off his chest. In this one he doesn't even admit to his crime at first but he eventually cops to it. The final story, A Gaggle of Saints, is told by an out-of-touch young couple from Massachusetts who come to New York for a party and leave with a story to tell—only they don't tell the same story.

LaBute's writing here is brilliant. His characters are rich and remorseless; deep and yet so single-minded. The monologues are textured with pain and love, innocence and hatred, humor and crisis. They are also very well-structured. The first one unfolds like a bizarre, if not forbidden, love story and climaxes with such naive self-righteousness. The second story twists and turns and folds in on itself until it finds a place where it can feel good about itself. The final one begins as two people telling the same story, but it soon diverges into the truth of what happened and layers upon layers of lies. What I really like about this play is that LaBute doesn't exploit these crimes—he doesn't sensationalize them—nor does he judge them, he simply tells these stories without forcing morality into them. He knows that his audience will bring their own morality and cast their judgments. Director Robert Knopf does a find job with his vision for this show. He sets a captivating pace and sets complementary emotions and thoughts next to one another to create an honest production of a challenging play.

The cast is fantastic. I was especially blown away by Chelsea Lagos in the first piece. She absolutely owns this monologue. Her performance is layered and nuanced. She finds moments for deep, deep reflection and bumps them into moments of utter indifference and even casual throwaway thoughts. Luke Rosen is just as impressive in the second and third pieces. As the family man he finds the everyman character that makes his crime so much more disturbing. I had trouble believing that he was really a parent but his honesty really got to me. In the final piece he transforms into a completely different person and really brings the intensity and the underlying confusion of the character to life.

David Mamet once said, and I paraphrase here, that "the audience is collectively a lot smarter than I am." It seems LaBute understands this. He doesn't judge his characters, he doesn't tell us why they do what they do, he knows that we'll impose all that ourselves. I would suggest that you check out this excellent production of bash and judge for yourself.

-by Richard Hinojosa

BASH opens September 4th

Hey you guys! Come check out BASH, starting a week from today, Sept. 4.

Join us for Preview Performances taking place September 4th, 5th & 8th, 2009 at 8:00PM at Tom Noonan’s Paradise Factory. The Grand Opening of bash will take place on 9 September 2009 at 7:00PM.

Shows will continue thereafter Wednesdays through Saturdays at 8:00PM. Special “Intimate bash” 24-Seat Performances will take place Fridays & Saturdays at 10:30PM with a ticket price of $25 per person, and will include a complimentary glass of Prosecco.

Directed by Robert Knopf featuring Luke Rosen and Chelsea Lagos and Produced by Chris Chaberski and Eastcheap Rep, the 2009 production of bash explores the stark reality underlying LaBute's aggressive language, evoking the most primitive emotions through simple, minimalist speech and movement.

To purchase tickets to bash please visit GoSeeBash.com

Check it out on Facebook here: tinyurl.com/lz9pyy

A little about bash:
On October 25, 1994, Susan Smith rolled her 1990 Mazda Protegé into a South Carolina lake in order to drown her two young sons.

On October 7, 1998, in Laramie, Wyoming, Matthew Shephard was beaten, tied to a fence, and left to die because he was gay.

On December 24, 2002, Scott Peterson suffocated or strangled his wife, 8 months pregnant, and dumped her body in the San Francisco Bay.

In 1999, Tony-Award nominated playwright Neil LaBute premiered his play bash, about incidents like these. Critics were intrigued yet disgusted: “self-flagellating,” “unapologetically cruel characters,” and “what demons lead him to tell such cruel [stories]?”

The Mormon Church, of which he was a member, disfellowshipped him.

Why do these things happen, and what is it about bash that makes so many people so uncomfortable? On September 9, 2009, Eastcheap Rep opens the New York revival of bash, with audiences asked to choose between two types of seating: tables within a few feet of the performers or seating above them. For special late night performances, only the 24 seats at tables will be sold, offering audience members an unprecedented “intimate bash” in the company of LaBute’s men and women.

Are you ready to get this close?